تومان
تومان
برای مشاهده پیشنهادهای مناسب خود و همچنین داشتن تجربه بهتر لطفا وارد حساب کاربری شوید.
ورود به goharedirin
Pottery is one of the earliest arts of mankind, dating back to the earliest days when mankind felt the need to store water. The oldest pottery wheel and jar in the world were found in Susa, after which most pottery vessels were created by the potter's wheel, but in some places, such as Kalpurgan (the world pottery village), the wick method is still common. During the Achaemenid period, the production of glazed bricks and its use in architecture flourished, but during the Parthian and Sasanian periods, since the production of precious metal artifacts was a priority, traditional tiles, pottery, and ceramics became less popular. With the beginning of the Islamic period, we again witness the growth of traditional tiles, pottery, and ceramics, so that during the Seljuk period, pottery flourished; during the Ilkhanate period, special attention was paid to tiling in architecture, and then during the Safavid period, the traditional tile, pottery, and ceramics group reached the peak of its glory and beauty in all fields. However, with the establishment of large porcelain factories in Russia, France, Germany, China and the production of high-quality porcelain products, as well as the emergence of modern architecture, traditional tiles, pottery and ceramics in Iran have once again lost their glory and splendor. However, since the last decade, with the growth of the food and beverage industry, which has led to increased investment in interior architecture and the widespread use of various types of dishes, on the one hand, and the approach of young builders and architects to utilize various disciplines of this group of traditional crafts and arts in conceptual design, facades and interior decorations, on the other hand, we are once again witnessing attention to the group of traditional tiles, pottery and ceramics and the growth of the disciplines of this group of crafts in Lalejin, Kalpurgan, Meybod, Isfahan, Tehran and some other provinces and cities of the country; a growth that, although not deserved and necessary, is promising for the revival and prosperity of this oldest branch of traditional crafts and arts.